For direct inquiries
For direct inquiries
Norae-While Our Tryst Has Been Delayed, stage front
Norae-While Our Tryst Has Been Delayed, stage front
Norae-While Our Tryst Has Been Delayed, stage
Norae-While Our Tryst Has Been Delayed, performance scene
Norae-While Our Tryst Has Been Delayed, stage back
Norae-While Our Tryst Has Been Delayed, sketch
Norae-While Our Tryst Has Been Delayed, stage plan
Norae-Willow Become the Thread and a Nightingale Became the Shuttle, performance scene
Norae (2010, 2012)
Norae encompasses both performance and stage design for Gagok, a form of traditional Korean vocal music that harmonizes female and male voices accompanied by a small ensemble of Korean instruments. Gagok is regarded as one of the most sophisticated styles among traditional "proper songs" (jeongga). Yeesookyung designed a unique stage to faithfully convey yeochang – songs for women characterized by their delicate, high-pitched, and refined vocal quality – without the use of any electronic devices or amplification, preserving the purity of the original sound.
The music carries a serene, elegant melody that is neither lively nor somber; it is meditative, seeking a cleansing experience for the body and soul.
노래 (2010, 2012)
내가 공연 감독과 무대 디자인을 담당한 이 작품은 우리나라의 아름다운 전통 음악인 가곡을 최대한 제대로 보여줄 수 있도록 무대를 디자인 했고, 가곡의 섬세함을 강조하기 위해 일반적으로 공연에 연주 되는 전통악기 반주를 배제한 채 오직 여성 공연자의 목소리만으로 구성된 공연을 기획했다. 전자 음향 기기 없이 최상의 음향을 전달하기 위해 앞부분으로 갈수록 넓어지는 형태의 무대가 설계 되었다.
Installation View
Jung Marie’s Jeongga, Yeesookyung’s Devotion, Arko Art Center, Seoul, Korea, 2010
Norae-While Our Tryst Has Been Delayed
2010
Stage design and performance directing: Yeesookyung
Producer: Kim Inseon, Willing N Dealing
Performance: Jung Marie
Stage Plan: Gim Youngjin, Design Firm
Film Editing: Kim Joonha
Costume: Yeesookyung
Courtesy of the artist
Photo: Shin Ohseok ⓒYeesookyung
Curated by Kim Inseon
Organized by Arko Art center
Supported by Korean Arts Council
Exhibition History:
Tell Me Tell Me: Australian and Korean contemporary art 1976-2011, National Art School Gallery, Sydney, Australia, 2012
Jung Marie’s Jeongga, Yeesookyung’s Devotion, Arko Art Center, Seoul, Korea, 2010
Norae-While Our Tryst Has Been Delayed (front stage)
Jung Marie’s Jeongga, Yeesookyung’s Devotion, Arko Art Center, Seoul, Korea, 2010
Courtesy of the artist
Photo: Shin Ohseok ⓒYeesookyung
Norae-While Our Tryst Has Been Delayed (stage)
Stage front. Jung Marie’s Jeongga, Yeesookyung’s Devotion, Arko Art Center, Seoul, Korea, 2010
Courtesy of the artist
Photo: Shin Ohseok ⓒYeesookyung
Performance Scene
Jung Marie’s Jeongga, Yeesookyung’s Devotion, Arko Art Center, Seoul, Korea, 2010
Courtesy of the artist
Photo: Shin Ohseok ⓒYeesookyung
Norae-While Our Tryst Has Been Delayed (backstage)
Jung Marie’s Jeongga, Yeesookyung’s Devotion, Arko Art Center, Seoul, Korea, 2010
Courtesy of the artist
Photo: Shin Ohseok ⓒYeesookyung
Norae-While Our Tryst Has Been Delayed (sketch)
Drawing
2010
Pencil on paper
30x30cm
Courtesy of the artist
ⓒYeesookyung
Norae-While Our Tryst Has Been Delayed (stage plan)
ⓒYeesookyung
Performance Scene
Norae-Willow Become the Thread and a Nightingale Became the Shuttle, Berliner Festspiele, Berlin, Germany
Norae-Willow Become the Thread and a Nightingale Became the Shuttle
2012
Stage design and performance directing: Yeesookyung
Producer: Kim Inseon, Willing N Dealing
Performance: Park Minhee
Stage Plan: Gim Youngjin, Design Firm
Film Editing: Kim Joonha
Costume: Kim Youngseok
Curated by Frie Leysen
Organized by Berliner Festspiele
Supported by Korea Arts Management Service and Ministry of Culture, Sports and Tourism
Exhibition History
October 11-12, 2012 Musik Tanz Theater SUDPOL, Switzerland
October 19-21, 2012 Berliner Festspiele, Berlin, Germany